On an electric guitar with a surface-mounted bridge and fixed tailpiece, feed the strings through the holes in the bridge or slots in the tailpiece. Don’t hammer the pin into the hole a firm push with the thumb is sufficient.
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Insert the ball end of the new string into the hole in the bridge, and re-insert the bridge pin, with the groove in the pin positioned over the string. To string a flat-top acoustic, remove the bridge pin and the old string. Other Gretsch instruments have fixed bridge/tailpiece assemblies. Many Gretsch electric guitars use “floating” bridges paired with Bigsby® vibrato tailpieces. The bridges of Gretsch flat-top acoustic guitars have holes and pins that hold the strings in place. They often differ, however, in how strings attach to the bridges of various guitars. Please note that instrument damage resulting from exposure to temperature or humidity changes is not covered under the Gretsch® warranty.The procedures for re-stringing acoustic guitars, electric guitars and basses are similar in how strings are wound onto the tuning machines. Don’t leave a guitar out for long periods near heating vents or radiators, in direct sunlight, or in a vehicle. When an instrument is not in use, keep it in its case with a small guitar humidifier (many are available). In such cases, room humidifiers provide good protection against drying out.Īvoid excessive heat and cold. In winter, forced-air home heating systems can raise temperatures and lower humidity levels too much for most guitars. The ideal humidity is about 40 percent to 50 percent. The ideal temperature for solid wood acoustic guitars is room temperature-about 70 F (20.5 C).
#Gretsch guitar etuner crack#
Moisture evaporation can shrink and crack wood regardless of age, and it can lessen string action by shrinking instrument tops and sides. In drier climates (hot or cold), low humidity is also dangerous. High humidity can soften glues used in instrument construction, and can make instrument tops and backs expand and rise, raising string action (especially on flat-top and classical guitars). Adjustments to the size of the nut slots to accommodate different string gauges should be left to qualified service personnel.Įxtremes of and rapid changes in humidity and temperature are major threats to wood guitars. To properly lubricate the instrument, apply a small drop of lightweight machine oil to the bridge saddles using a cotton swab, and apply graphite powder to the nut slots. This is especially common when re-stringing with larger-gauge strings than those originally supplied on the instrument. Other common causes of tuning problems are nut/bridge saddle friction due to lack of lubrication, and string binding at the nut due to faulty correspondence between the size of the slot cut into the nut and the gauge of the string passing through it. Slack in the windings on the tuning post can’t really be seen, and will make the string go out of tune, especially when notes are bent or when the vibrato arm is used. Always wind the string tightly, “snugging” the windings down on the tuning post to make sure the string is properly seated, and stretching it while tuning.Īlways tune from lower pitch to higher to avoid string slack behind the nut. Improper seating and winding of the strings on the tuning machines is a common cause of tuning problems. Most tuning problems are eliminated when, one, the strings are stretched and seated properly on the tuning machines and, two, when all points of string friction have been sufficiently lubricated. Please note that instrument damage caused by use of non-FMIC-approved polishes, cleaning materials or accessories is not covered under the Gretsch® warranty. These materials can react with and mar instrument finishes. Let the oil soak in, then wipe to dry excess oil.īe careful when using vinyl, plastic or synthetic leather guitar straps and guitar stands and wall hangers made with surgical rubber tubing. To preserve the fingerboard, hydrate it periodically by rubbing raw linseed oil into it with a clean lint-free cloth (remove the strings first). Natural oils in rosewood and ebony fingerboards may dry out and shrink over time, evidenced by exposed fret edges (fret “sprout”). When storing the instrument for long periods, loosen the strings slightly (do not remove them). When not playing the instrument, keep it tuned to pitch and in its case or gig bag.
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For hand-rubbed finishes, use a slightly damp soft cloth and follow with a dry cloth. For satin finishes, use only a soft dry polishing cloth. with a soft dry cloth.įor gloss finishes, use a non-silicone based guitar polish. Wipe the fingerboard, strings, pickups, tuners, etc.